"I remember hearing this recording for the first time during a car ride thru Chicago in 1996. I was immediately fascinated by the tightness of the musical text. Apart from the obvious James Brown-like quality of ‘getting down’, these 18 cuts have all the density, clarity and logic of some of the best scores from the heroic days of the ‘new music’ of the 1950s. There are moods too and fantasy and lots of improvisation ..." —Georg Graewe, Berkeley, CA, February 2000 from the liner notes

18 tracks in 63:30 minutes

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