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"I was inspired to write identity papers
after a young assailant tried to kill me
with a hammer at a subway station in
Brooklyn in August, 1994, while I was
finishing a Ph.D. at NYU. This poem
comes from the tradition of saying the
hard truth in the most direct way possible
(I think of Etheridge Knight and Ralph
Ellison as models). But our society has
grown even more vexing. I have tried
to capture how it is in language that is
lyrical yet visceral, intellectual yet brutal.
I sought to span the language from the
gutter to the research library, and to
speak about race and violence in what is,
above all, an honest account."
-- Jeffrey Ethan Lee |
crossing walt whitman bridge
(westbound toward philadelphia) 
the city rises all night
like a galaxy poised
burning throngs of strung
lights
with streaking traffic reds
but O so much more beautiful
She touches me
and I am by my own hands amended.
She rivers over my rage
hot as glasphalt bleeding tar
and breaks my parched husk
to raise me in loves shower,
and no harm can come to me
She is in each thing that
touches me
and in my roots genealogy,
one with the wilding city
even dressed in derelicts and addicts
with gasoline-flaming orange
hair
by polished brass poles
and youths decked out in
grunge,
yet this is all I want
She pours electric lights
across
the wide and winding rivers
overflowing with liquid
neon
She nestles in the soft
halogen fog
of her scraped but no purer
skies
by towers straight as search
lights rise
She holds my veins mortal wishes
in her serpentine coilings
and
desires deeper than soil is
She is the light in the darkness
the beacon
still
unbroken
but
O so much more beautiful
from
identity papers
a poem for two voices Hsiao-Ming (Early Morning Light) and Hong (Phoenix) by
Jeffrey Ethan Lee

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