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Identity Papers CD Cover

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"I was inspired to write identity papers
after a young assailant tried to kill me
with a hammer at a subway station in
Brooklyn in August, 1994, while I was
finishing a Ph.D. at NYU.  This poem
comes from the tradition of saying the
hard truth in the most direct way possible
(I think of Etheridge Knight and Ralph
Ellison as models).  But our society has
grown even more vexing.  I have tried
to capture how it is in language that is
lyrical yet visceral, intellectual yet brutal.
I sought to span the language from the
gutter to the research library, and to
speak about race and violence in what is,
above all, an honest account."
-- Jeffrey Ethan Lee

crossing walt whitman bridge
(westbound toward philadelphia)    
listen to the entire composition with streaming Real Audio

                                the city rises all night

      like a galaxy poised

burning throngs of strung lights

  with streaking traffic reds —

                                   but O so much more beautiful

 

She touches me

   and I am by my own hands amended.

She rivers over my rage

   hot as glasphalt bleeding tar

and breaks my parched husk

   to raise me in love’s shower,

      and no harm can come to me —

She is in each thing that touches me

   and in my roots’ genealogy,

one with the wilding city

   even dressed in derelicts and addicts

with gasoline-flaming orange hair

   by polished brass poles

and youths decked out in grunge,

   yet this is all I want —

She pours electric lights across

   the wide and winding rivers

      overflowing with liquid neon —

She nestles in the soft halogen fog

   of her scraped — but no purer — skies

by towers straight as search lights rise —

   She holds my veins’ mortal wishes

      in her serpentine coilings

         and desires deeper than soil is —

 She is the light in the darkness

    the beacon

          still unbroken

                            but O so much more beautiful

 

from identity papers
a poem for two voices Hsiao-Ming (Early Morning Light) and Hong (Phoenix) by Jeffrey Ethan Lee


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