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Mike Bisio
When
we think of the great bass players in jazz, generative composer/leaders such as Charles
Mingus and Charlie Haden, who have a distinctive approach and sound come to mind. That's
what happens when you mention the name of bassist, composer, and leader Michael
Bisio.
The
critics, out in front for once, already know about Michael. His second album as a leader, In
Seattle (Silkheart), made the Village Voice "Best Jazz Records of the
1980's," as well as critic Kevin Whitehead's 1988 Top 10 for National Public Radio.
The Penguin Guide to Jazz on CD, LP & Cassette described In Seattle as "an
exemplary instance of the kind of contemporary jazz being created away from the principal
American centres." And Paul de Barros, in his Northwest regional jazz history, Jackson
Street After Hours, singled out Bisio as one of the preeminent heirs to Seattle's
earthy, yet innovative, tradition.
In a flurry of activity over the last
ten years, Bisio has played and/or recorded with Barbara Donald, Wayne Horvitz, Bob Nell,
Andrew Hill, Sonny Simmons, John Tchicai, Bern Nix, Jim Nolet, Joe McPhee, Vinny Golia,
Van Manakas, Greg Bendian, Carter Jefferson, Charles Gayle, and Marilyn Crispell. He has
crossed the country twice with Gayle and toured the West Coast with his own quartet.
What these noted leaders all find in
Bisio is a gutsy, honest style and what the poet Garcia Lorca called duende, best
translated as soul, or heart. His sound recalls the reverent and warm melodicism of
Charlie Haden. Like Haden, he uses gut strings and mikes his bass directly, with no
electronic mediation. But Bisio also has no problem venturing "out" into the
textural energy zones defined by "new thing" jazzers in the 1960's. As a
composer, his work is marked by a spare, bluesy sound, the sweet-and-sour timbres favored
by Charles Mingus.
Former Downbeat editor Art Lange, upon
hearing Michael at the 1994 Du Maurier Jazz Festival, remarked: "Bisio's wailing arco
bass was reminiscent of David Izenzon with Ornette Coleman."
Today, Michael Bisio continues to tour
and compose music for solo, duo, trio, and quartet. One of a long line of bassists to
thrive in the Northwest -- Glen Moore, David Freisen, Buddy Catlett, Freddy Schreiber, and
Gary Peacock are a few of the others -- Bisio is living up to all the expectations.
Mike
Bisio's Website
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Discography on Drimala Records
2004
Let Them Pass DR 04-347-03
2003
Now Is
DR 03-347-02
2002
Shadow &
Light DR 02-347-01

Selected Discography
As Leader
1983 Ours CT Records
1988 In Seattle Silkheart Records
1996 Covert Choreography Cadence Records
2000
Undulations Omnitone
As
Co-Leader
1997
Finger Wigglers CIMP
1999
Zebulon CIMP
2000
MBEK Meniscus Records
2001
Primal Intentions Cadence Records
2001
Concerted Cadence Records
Others
1980 The Jazz Club Audio Daddio
1983 The Past and Tomorrows Cadence Records
1984 Chasin' A Classic Cadence Records
1991 Sacred Choral Works Carus
1995 Long Narrows Nine Winds
1996 Common Threads Deep Listening
1997 Dante No Longer Repents Music and
Arts
1999 In the Spirit CIMP
2000 No Greater Love CIMP
2000 Baby Steps Nell Records
2002
Let Paul Robeson Sing CIMP |